AI / Runway
Runway Motion Studies
A collection of short works used for look development—testing tone, motion, and visual motifs.
AI Fashion Film —Jewerly Editorial
A fully AI-generated fashion film built inside Runway Workflow. The production began with two separate text prompts — one defining the model's appearance, one describing the jewerly aesthetic — which were merged into a single master frame. That master image was then branched into several individual cinematic shots, each with a distinct camera movement: static frontal, slow push-in, orbital arc, low-angle upward tilt, extreme jewellery macro, and side profile jawline reveal.
Editted with Premiere Pro. No studio. No photographer. Entirely prompt-driven from concept to final video.
‘No Matter What’
A 2-minute AI-generated experimental film following Alex, a washed-up influencer who encounters the same mysterious coin across 8 parallel universes—each with different art styles from photorealistic to glitch art.
Created using Runway's Nano Banana 2, Seedance 2.0, Kling 3.0 Pro, and Veo models, demonstrating breakthrough AI video capabilities in character consistency and style transformation.
This film proves AI can create narratively coherent, emotionally resonant content beyond random visual generation.
A visual loop by Alex Qu
For Gorgon City’s EP ‘Second Nature’
With Seedance 2.0
‘Daydreaming’ by Alex Qu
With Gen-4.5
Prompt: ‘POV from the perspective of a raccoon creeping up to an overturned campsite cooler packed with leftover food. The raccoon paws reach out from the bottom of the frame and snatch a fistful of chips and wrappers. Handheld documentary film style. Natural camera shake. Raw indie film aesthetic. Natural lighting. Unpolished, authentic look. Low budget realism. Observational feel.’
Prompt: ‘A symmetrical establishing shot frames a (subterranean noodle shop built into a subway maintenance tunnel). (Neon menu boards flicker above stainless counters while condensation beads on the tiled walls and a distant train-rumble vibrates the hanging paper lanterns). (A bored chef mannequin) (silently slides bowls along the counter as steam curls into the ceiling).’
Prompt: ‘A full shot of the mannequin cashier, head to toe, centered behind the counter in a 24-hour convenience store at 3:07 a.m. The barcode scanner hangs slightly off-angle beside the regi e background with repeating product patterns. Cold fluorescent light, subtle flicker, cinematic realism, uneasy stillness.’
Prompt: ‘A human hand slowly rises from beneath dark water, breaking through the surface in one deliberate motion. The water around it churns and resists — surface tension splitting, droplets scattering, small whirlpools forming at the wrist. The surrounding water is deep black with silver-white light refractions tracing the ripple patterns outward. The hand reaches upward, fingers spread, as if grasping for air. Camera locked, slightly overhead, watching. Photorealistic water surface detail, dramatic underlighting, cinematic, smooth temporal consistency.’
Prompt: ‘Swimmer's dark silhouette moves through iridescent water at the surface, body submerged, head above. In one fluid motion, the figure dips the head fully underwater and continues swimming forward. The surrounding water churns and folds naturally, with scattered chromatic light refractions and bioluminescent sparkle across the dark surface. The camera shakes and sways as if physically struck by waves — irregular, floating, immersive — like a waterproof camera caught in the same current. Photorealistic water surface detail, shallow depth of field, cinematic. Smooth temporal consistency throughout.’
Prompt: ‘A theatrical minimalist stage filled with a glowing deep red backdrop, five human dancers shown only as elegant black silhouettes, performing synchronized contemporary dance with expressive arms, curved torsos, and flowing long costumes. The composition is graphic, bold, and symmetrical yet organic, with strong negative space and a striking fashion-film aesthetic. Luxurious cinematic camera movement: smooth dolly glides, slow lateral tracking, graceful push-ins, and elegant wide-to-medium transitions. The dancers move with precision, tension, and fluidity, creating hypnotic rhythmic shapes against the red light. High contrast, ultra clean stage, refined choreography, cinematic lighting, dramatic shadows, premium editorial style, visually arresting, sophisticated, haunting, beautiful motion.’
Prompt: ‘Classical marble bust in a clean empty space, illuminated by eerie refined red lighting with subtle crimson highlights. subtle hairline cracks slowly spread across the polished stone surface in an irregular, asymmetrical pattern. The bust remains fully intact. Clean minimalist background, controlled contrast, polished marble texture, unsettling cinematic atmosphere. Gentle camera push-in with slight lateral drift. Minimalist, elegant, cinematic, premium title-sequence aesthetic.’
Prompt: ‘A monumental ceramic head floats in darkness, motionless and centered. Liquid chrome slowly emerges and travels across the face like a sentient reflective skin, pooling around the eyes, mouth, and cheekbones before spreading outward in sleek metallic waves. The chrome surface is smooth, heavy, and mirror-bright, contrasting with the matte white ceramic underneath. Minimal camera push-in, almost imperceptible breathing motion. Pure black background, sculptural light, elegant techno mood, photorealistic materials, hypnotic transformation, smooth temporal consistency.’
Zine of the Future — ‘Relationship Terms and Conditions’ by Alex Qu
— where relationships run like subscriptions. Love is treated as a contract with opt-ins, renewals, upgrades, warning screens, and even refund demands.
This is a concept-driven visual zine set in a near-future world, generated with Runway. It functions as a style and visual-direction piece — defining the project’s tone, graphic language, and image system through curated layouts and cinematic frames.
*zine — a small, self-published mini-magazine/booklet, often used for experimental visuals, personal ideas, and independent publishing.